出版：《百年王肇民》，P13，广东教育出版社，2007年展览：百年王肇民艺术展，中国美术馆、广东美术馆、华艺廊，2007年WANG ZHAOMIN COCKSCOMB In 1975Watercolor on paperUSD: 81,800-98,200众所周知，画画并非能把预想的结果都画出来，不是这样。画画的时候是把主观性的东西与客观性的东西结合，要用主观来驾驭客观，又充分运用客观的可能性，并把自己的主观可能性发挥出来，才能达到一定的境界。所以王先生的画，每张都很吸引人，感觉很大气，正如刚才詹建俊说的，王先生的水彩画比英国的高得多，我觉得有道理。英国的透明水彩画我们看得很多了，包括十九世纪下半叶的一些高水平的画。但是，王先生的画画得实在有力量，这也给我们启发。——邵大箴（中央美术学院美术研究所所长）As we all know, a painting does not always achieve the expected effect. It is not the case. The process of painting is a combination of subjectivity and objectivity, and on the whole under the guide of the former while making use of every possibility of latter. To achieve the peak of excellence, one need to fully use his/her intuition. Wang implanted a charm and grandeur in each of his paintings. Like what was depicted by Zhan Jianjun, Wang's watercolors are far exalted to those of English painters. This judgment makes sense. We are quite familiar with the transparently textured English watercolors, including some of superb qualities of the second half of the nineteenth Century. However, the solidity and power we found in Wang's watercolor provided us with inspirations in another brand new way.By Shao Dajian (Superintendent of the Research Institute of Fine Arts of the CAFA)